Occasionally, small pieces of parchment, sketched with all sorts of images and depictions might find themselves cirulating around the well. While they may not last long under the beating sun of Pra'raj, the Wyld's winds and the coming and going of its people, some people may spot it while it lasts.
Hung upon a box marked "PEP'S HOUSE, DO NOT TOUCH MY STUFF!" outside the Krak des Roses, a small sketch has been pinned.
Hung upon a box marked "PEP'S HOUSE, DO NOT TOUCH MY STUFF!" outside the Krak des Roses, a small sketch has been pinned.
The Mummers Mercy
Scratched in sharp lines of quill ink, this simple sketch depicts a torn and battered jesters outfit with different tones being used to depict what would be differing colours in just grey and black ink. The outfit itself is strung up on the hilt of a sword driven into the ground with a tiny shield resting against it.
The sketch is drawn to embody the aftermath of a bettlefield, though no other figures are depicted, the blade and shield are similarly worn with nicks and cracks across their surface, though far from the scale of tears and rips that criss-cross the surface of the evicerated clothing.
Strangely, the ink on this sketch has right slightly and it smells distinctly of rose wine, with a stain of the alcohol covering much of the paper's surface.
A simple mark of the artist "T.S" rests at the bottom of the paper, which, unlike the rest of the sketch, is in pristine and unmarked ink which has not run fom exposure to the alcohol like the rest of the sketch, indicating it was added later, after the wine had dried.
Scratched in sharp lines of quill ink, this simple sketch depicts a torn and battered jesters outfit with different tones being used to depict what would be differing colours in just grey and black ink. The outfit itself is strung up on the hilt of a sword driven into the ground with a tiny shield resting against it.
The sketch is drawn to embody the aftermath of a bettlefield, though no other figures are depicted, the blade and shield are similarly worn with nicks and cracks across their surface, though far from the scale of tears and rips that criss-cross the surface of the evicerated clothing.
Strangely, the ink on this sketch has right slightly and it smells distinctly of rose wine, with a stain of the alcohol covering much of the paper's surface.
A simple mark of the artist "T.S" rests at the bottom of the paper, which, unlike the rest of the sketch, is in pristine and unmarked ink which has not run fom exposure to the alcohol like the rest of the sketch, indicating it was added later, after the wine had dried.