I can still write.
And I choose to be grateful for small mercies like these. For the love of my friends, of Rochelle, and of my neighbors. For the breath I still draw. For the gardens of my lord father—Royal Favours and Eryngiums in bloom—that remain a home for me even now that I have been diminished. I choose to hold tightly onto the comfort they represent. Because if I let go even for a moment, I might come apart like a shattered pane of glass.
He does not understand what he has taken from me. He does not know, and he could not appreciate the loss if he did. He has never experienced the joy of creation. He has never felt his heart soar with each note that leapt from his fingers. What is a hand, to him, but a way to hold a weapon? A tool? A hammer with which to pound the world into submission? All a crusader like him cares about is his vain grasp for superiority, for control, never for the bliss of a perfect performance. Even now, I can hear a melody play out in my mind, begging to be put to the string. The anguish I am holding back, the fear haunting my thoughts, the tears I have hidden so that my family would not look weak, they cry out in harmony. And no words, no matter how pretty, could be enough to give them voice.
All I have left to perform with is this sword, and it is of uncertain use to me now that I cannot bear a shield to match it. But this sword is not who I am. It is something I must do, for hearth and home. I could never understand how Errilam could delight in the science of slaying. Did it make him feel powerful? Liberated, because a battlefield required no pretense at human decency? Because he could cut. And tear. And smash. And break. And defile. And no one would tell him to stop, because destruction was the point. Was it that monstrous edge which made him powerful, a killing intent that Ser Nicholas (for all his skill) would never want to match?
I will pray at this Banner, every night, for my King to heal me.
Please. Even if I must never lift another sword, please give me back my music.